Of all there is to know about LA via Provo quartet Eyes Lips Eyes, know this: They’re responsible for the best music video of all time. Of all time! We’ll let Taylor have her moment, but any thing she’ll ever create won’t hold a candle to Eyes Lips Eyes’ “I Worked My Thighs For Eyes Lips Eyes” promotional Pledge Music video.
OK, so maybe this video isn’t a music video in the strictest sense of the word, but it’s moving picture and there’s a band involved so we’re going to count it. The premise? Well that’s simple. Eyes Lips Eyes thought, and correctly so, that they’d get more attention and follow through on their Pledge Music campaign if they made a video that stood out. So, they dolled themselves up in spandex and some A-cup sports bras, and proceeded to instruct viewers on how they could improve their social lives by working out their thighs to Eyes Lips Eyes.
Watch the band play “Never Alone” in the Presskit.to bus above, and catch them live if you live in Florida—they embarked on their sunshine state tour just yesterday!
Because car troubles forced the cancellation of the IAtv Session we had planned with Savoir Adore in 2011, we were more than a little excited to finally capture this buzzing “fantasy rock” group doing their thing on the Presskit.to bus at SXSW.
A while back, we wrote a piece aiming to answer the most common questions musicians have about copyright. Today, we’re going to do the same for copyright’s cousin, trademark! Continue reading to learn about the difference between service marks and trademarks, how you acquire the right for a name, what happens in the event of a dispute, how to register, when the cost is worth it and more!
Welcome to the first installment of our Presskit.to Bus Session videos from SXSW 2012! So yeah, it’s evident in the title that something is a little different about this round of IAtv Sessions—they took place on a bus! For those unaware, we picked up a BandWagon tour bus in Indiana and drove it to Austin for South by. It was our living quarters, a billboard for our new Presskit.to web app, and our mobile IAtv studio. We setup shop in a prime location across from Bandpage HQ on 7th and Sabine and hosted bands from around the world for Bus Sessions. As always, a big thanks to the generous tour support from Shure and the always stellar production services of Strewnshank Productions. These sessions wouldn’t be possible without their help! Over the course of 3 days we recorded Bus Sessions with 13 bands, and probably used a BandWagon like it’s never been used before!
We were pretty pumped to be able to collaborate with some Boston friends while down south, one example of which can be seen in this video of Herra Terra playing their new tune “Buried Youth.” The guys had a pretty successful SXSW all in all, highlights including hanging out at various panels at the convention center, seeing Kimbra perform in all of her glory, playing an official showcase at Valhalla and with Bad Rabbits at the final Beauty Bar show to round out their week on Sunday.
You’ll notice pretty quickly that this video was not shot with musicians playing a stripped down tune as is the case in the rest of our Bus Sessions. What started as a joke about an acoustic Herra Terra shoot consisting of the band drinking whiskey and breaking things on the bus quickly turned into us realizing that we could probably squeeze Herra Terra’s entire live rig and light show into the bus. The temptation to have a band play totally electric with all gadgets plugged in grew irresistible in this case, and Strewnshank’s Crickie Thomas made it happen. It was also our only session with a live audience. With five or six people crammed into our smelly bunks and countless more craining their necks on the street as they walked past, it was a pretty awesome experience.
Watch the guys play “Buried Youth” in the video above, and stay tuned throughout the rest of month for more Bus Session vids from South by Southwest 2012!
I’m impressed! Ticketmaster/Live Nation has had an impressive month. First the acquisition of BigChampagne and now the launch of their facebook app, bringing ticketmaster into the “social age”. It’ll be interesting to see how Ticketfly responds as their core has been in social ticketing all along. Have you checked it out? If so, what are your thoughts?
(TechCrunch) Of all the new Open Graph apps launched tonight, Ticketmaster’s new Facebook experience is the most impressive. Sure it can share that you’ve “bought” tickets, but lots of apps have similar publishing functionality. What makes Ticketmaster’s app cool is that it pulls your Facebook profile’s music app activity from services such as Spotify or Rdio, and recommends nearby concerts of artists you actually listen to, not just those you say you Like.
Ticketmaster has come a long way in the two years since Nathan Hubbard became CEO following its merger with LiveNation. It now shows you its service fees up front rather than tacking them on as you checkout. This pissed off artists and venues who thought it would scare away sales, but Ticketmaster did it in the name of transparency.